{"id":1304,"date":"2017-10-09T23:27:15","date_gmt":"2017-10-09T21:27:15","guid":{"rendered":"http:\/\/www.zudro.sk\/?p=1304"},"modified":"2017-10-09T23:27:15","modified_gmt":"2017-10-09T21:27:15","slug":"tazka-dusa-filmpress","status":"publish","type":"post","link":"http:\/\/stare.zudro.sk\/?p=1304","title":{"rendered":"\u0164a\u017ek\u00e1 du\u0161a: Filmpress"},"content":{"rendered":"

Prizn\u00e1m sa, \u017ee filmy Mareka \u0160ul\u00edka<\/strong>, kde pracoval ako re\u017eis\u00e9r nepozn\u00e1m a nem\u00e1m ich napozeran\u00e9. Ale ak s\u00fa aspo\u0148 spolovice tak\u00e9, ak\u00e1 je jeho najnov\u0161ia sn\u00edmka \u0164a\u017ek\u00e1 du\u0161a<\/strong>, ur\u010dite svoju nevedomos\u0165 v najbli\u017e\u0161ej dobe naprav\u00edm. Poeticky kr\u00e1sna, emocion\u00e1lne naliehav\u00e1, trpko radostn\u00e1 \u0164a\u017ek\u00e1 du\u0161a reflektuje r\u00f3mske etnikum \u00faplne inak, ne\u017e doposia\u013e.<\/p>\n

V dokument\u00e1rnych filmoch zameran\u00fdch na marginalizovan\u00e9 soci\u00e1lne skupiny \u013eud\u00ed, vy\u010dlenen\u00e9 doslova na okraj spolo\u010dnosti, v tomto pr\u00edpade na perif\u00e9rie slovensk\u00fdch ded\u00edn, je nemo\u017en\u00e9 zataji\u0165 ich soci\u00e1lny apel. R\u00f3mske ot\u00e1zky (Pre\u010do je nezamestnanos\u0165 r\u00f3mskej komunity alarmuj\u00faco vysok\u00e1? Nechc\u00fa alebo nem\u00f4\u017eu R\u00f3movia pracova\u0165? Pre\u010do deti \"Dusa2z r\u00f3mskych os\u00e1d nechodia do \u0161koly? Pre\u010do je kriminalita v r\u00f3mskych osad\u00e1ch tak\u00e1 roz\u0161\u00edren\u00e1?) v slovenskej spolo\u010dnosti a ak kinematografii v\u017edy boli, s\u00fa a v najbli\u017e\u0161\u00edch rokoch aj bud\u00fa aktu\u00e1lne. Nepopieram z\u00e1va\u017enos\u0165 t\u00fdchto ot\u00e1zok ani odpovede na ne. V slovenskej hranej i dokument\u00e1rnej tvorbe existuje mno\u017estvo sn\u00edmok sk\u00famaj\u00facich pomery v r\u00f3mskych osad\u00e1ch a zaoberaj\u00fa sa h\u013eadan\u00edm odpoved\u00ed na tieto a aj in\u00e9 ot\u00e1zky. V \u0164a\u017ekej du\u0161i s\u00fa tieto ot\u00e1zky s\u00edce nazna\u010den\u00e9, ale netvoria b\u00e1zu tohto filmu. Maj\u00fa akoby doplnkov\u00fd, sekund\u00e1rny charakter. D\u00f4le\u017eit\u00fd je etymologick\u00fd pr\u00edstup tvorcov, teda b\u00e1danie po p\u00f4vode \u2013 p\u00f4vode r\u00f3mskych piesn\u00ed aj p\u00f4vode samotn\u00fdch \"Dusa4R\u00f3mov. \u010caro a kr\u00e1sa tohto dokumentu spo\u010d\u00edva predov\u0161etk\u00fdm v schopnosti reflektova\u0165 cig\u00e1nov, R\u00f3mov ako \u013eud\u00ed. Oby\u010dajn\u00fdch \u013eud\u00ed. \u013dud\u00ed chudobn\u00fdch, ale rovnocenn\u00fdch k \u013eu\u010fom – ner\u00f3mom, ktor\u00ed sa nad nich s ve\u013ekou ob\u013eubou povy\u0161uj\u00fa a \u010dastokr\u00e1t sa ich str\u00e1nia.<\/p>\n

\u0164a\u017ek\u00e1 du\u0161a je zauj\u00edmav\u00e1 svojou formou. Nejedn\u00e1 sa len o film vyrozpr\u00e1van\u00fd epizodicky. Jeho kompoz\u00edcia akoby sp\u00e1jala v\u0161etky \u017ealostn\u00e9 r\u00f3mske piesne a vytvorila jednu komplexn\u00fa hudobn\u00fa skladbu. Jedno rozsiahle halgat\u00f3. Dokument\u00e1rne pr\u00edbehy o vz\u0165ahoch rodi\u010dov, prarodi\u010dov a ich det\u00ed dop\u013a\u0148aj\u00fa intermezz\u00e1. Prel\u00fadium. Predohra k vok\u00e1lnej skladbe. \u00davodn\u00fd kr\u00e1tky pr\u00edbeh tvor\u00ed iba nieko\u013eko \u00fazkych z\u00e1berov. Na chv\u00ed\u013eu som dokonca mala \"Dusa5dojem, akoby splynuli iba do jedin\u00e9ho. Star\u0161ie panie sa sna\u017eia rozpam\u00e4ta\u0165 na u\u017e takmer zabudnut\u00e9 slov\u00e1 jednej smutnej piesne. Text zlo\u017een\u00fd iba z p\u00e1r slov, mo\u017eno dvoch viet posta\u010dil na to, aby n\u00e1s meniaci sa v\u00fdraz tv\u00e1re jednej zo spev\u00e1\u010dok emocion\u00e1lne zasiahol a privodil pocity zarm\u00fatenia, \u017eia\u013eu a nostalgie. Je ve\u013emi m\u00e1lo filmov schopn\u00fdch v takom kr\u00e1tkom \u010dase vyvola\u0165 tak\u00e9 siln\u00e9 em\u00f3cie. Lamentoso. Psychicky chor\u00e1 \u017eena sa zd\u00f4veruje so svoj\u00edm \u0165a\u017ek\u00fdm \u017eivotn\u00fdm osudom s mu\u017eom \u2013 tyranom, kv\u00f4li ktor\u00e9mu sa pomiatla a skon\u010dila vo v\u00e4zen\u00ed. Star\u0161\u00ed \u010dlovek spom\u00edna na svoje \u017eivotn\u00e9 omyly. V\u0161etky chyby z mladosti boli o\u013eutovan\u00e9 a kruto odpykan\u00e9. Doloroso. Stark\u00e1 \u017ealostne prednesie piese\u0148 o samote. O tom, ako osirela a podobne ako mnoho in\u00fdch \u013eud\u00ed, na tomto svete u\u017e nikoho \"Dusa9nem\u00e1. Lacrimoso. Pla\u010dliv\u00e9, \u017ealostn\u00e9 a tr\u00fachliv\u00e9 spom\u00ednanie na najd\u00f4le\u017eitej\u0161ie osoby v na\u0161om \u017eivote \u2013 na\u0161ich rodi\u010dov. Vid\u00edme, \u017ee ka\u017ed\u00e1 \u010das\u0165 hudobnej skladby nesie v sebe osud jedn\u00e9ho \u010dloveka, a navy\u0161e je sp\u00e4t\u00e1 s \u010fal\u0161\u00edm emot\u00edvnym pr\u00edbehom \u010dloveka. Tom\u00e1\u0161. Osamelos\u0165, odl\u00fa\u010denie, odtrhnutos\u0165 od rodiny. Erik. Neposlu\u0161nos\u0165 a kriminalita hlboko zakorenen\u00e1 v podvedom\u00ed jednotlivca. \u010eo\u010fo. Melodr\u00e1ma a tr\u00e1penie sa nad ne\u0161\u0165astnou l\u00e1skou. A napokon, sn\u00edmka je venovan\u00e1 pamiatke B\u00e9lu a jeho \u017eivotu, chorobe i nechuti zomrie\u0165.<\/p>\n

\"Dusa12Prostredn\u00edctvom mno\u017estva spevu, hudby i tro\u0161ky tanca je n\u00e1m postupne odkr\u00fdvan\u00e1 r\u00f4znorodos\u0165 jedn\u00e9ho temperamentn\u00e9ho n\u00e1roda. R\u00f3msku n\u00e1turu zv\u00fdraz\u0148uje i vyu\u017eitie dialektu. Op\u00e4\u0165 plat\u00ed to, \u017ee neexistuje ve\u013ea filmov, kde div\u00e1ka neob\u0165a\u017euje \u010d\u00edta\u0165 zv\u00e4\u010d\u0161a nedokonal\u00e9 preklady. V tomto pr\u00edpade je dial\u00f3gov m\u00e1lo, preto si div\u00e1k takmer neuvedom\u00ed, \u017ee sa pozer\u00e1 na cudzojazy\u010dn\u00fd film s nutnos\u0165ou \u010d\u00edta\u0165 titulky. \u0164ahav\u00e9, pomal\u00e9 mel\u00f3die a piesne s\u00fa v\u00fdchovn\u00fdm prostriedkom dospel\u00fdch a n\u00e1strojom komunik\u00e1cie medzi \u013eu\u010fmi. Nahr\u00e1dzaj\u00fa dial\u00f3g. Jednotliv\u00ed interpreti sa v improviz\u00e1ci\u00e1ch zd\u00f4veruj\u00fa so svoj\u00edm osudom, pocitmi, t\u00fa\u017ebami, sm\u00fatkom, samotou. V ka\u017edom z pr\u00edbehov tvorcovia sleduj\u00fa, ak\u00fdm sp\u00f4sobom sa \u017ealostn\u00e9 r\u00f3mske piesne pren\u00e1\u0161aj\u00fa z gener\u00e1cie na gener\u00e1ciu. Piesne \"Dusa8nie s\u00fa nikde zap\u00edsan\u00e9 \u010di inak dokumentovan\u00e9. Texty a mel\u00f3die \u013eudia lovia v pam\u00e4tiach a \u00fastnym podan\u00edm \u0161\u00edria svojim potomkom. Tradovan\u00edm tak z mno\u017estva t\u00fdchto piesn\u00ed ostali iba fragmenty alebo sa \u00faplne vytratili.<\/p>\n

Pred samotnou projekciou filmu som netu\u0161ila, ak\u00fd je vplyv spirituality na \u017eivot R\u00f3mov intenz\u00edvny. \u013dudia sa prihov\u00e1raj\u00fa k Bohu a k Panne M\u00e1rii. Od sv\u00e4t\u00fdch \u017eiadaj\u00fa pomoc a z\u00e1chranu z chudoby, vyk\u00fapenie z hriechov, ka\u017edodenn\u00fd chlieb a zbavenie v\u0161etk\u00e9ho zl\u00e9ho. Re\u0161pektuj\u00fa jeho v\u00f4\u013eu na zemi, ale i v nebi. Sviatok man\u017eelstva \u010di zvyk pochov\u00e1vania v cirkevnom slova zmysle s\u00fa pre nich posv\u00e4tn\u00e9. Chodia do kostola a ak aj nie, na sten\u00e1ch v izb\u00e1ch maj\u00fa vyvesen\u00e9 cirkevn\u00e9 obrazy aran\u017eovan\u00e9 \"Dusa6do ak\u00fdchsi mali\u010dk\u00fdch olt\u00e1rikov s ru\u017eencami, ktor\u00e9 s\u00fa pre nich modlitebn\u00fdm priestorom. Aby som \u00faplne nezidealizovala tieto predstavy o R\u00f3moch, mus\u00edm e\u0161te pouk\u00e1za\u0165 na to, \u017ee som sa popri v\u0161etk\u00fdch dokumentoch o R\u00f3moch e\u0161te nestretla s filmom, ktor\u00fd by takto otvorene prizn\u00e1val, \u017ee nakr\u00facanie prebiehalo za ur\u010dit\u00fdch finan\u010dn\u00fdch pr\u00edspevkov pre protagonistov filmu. \u201eTu m\u00e1\u0161 gitaru. Na! Zahraj! Inak n\u00e1m nezaplatia,\u201c<\/em>hovor\u00ed otec svojmu leniv\u00e9mu synovi. Samozrejme, \u017ee v r\u00e1mci nejak\u00fdch z\u00e1kulisn\u00fdch inform\u00e1ci\u00ed oh\u013eadom v\u00fdroby som o tom po\u010dula, ale nie takto explicitne a priamo v obraze. Pozit\u00edvum tejto sn\u00edmky je teda \u201eotvoren\u00e1 hra\u201c tvorcu a div\u00e1ka, tvorcu a \u00fa\u010dinkuj\u00faceho, tvorcu a kritika.<\/p>\n

\"DusaA napokon, dramaturgia. Pri tomto filme je sympatick\u00e9, \u017ee r\u00e1ta s potrebami div\u00e1ka. R\u00e1ta s t\u00fdm, \u017ee div\u00e1k sa skr\u00e1tka v ur\u010ditej f\u00e1ze filmu m\u00f4\u017ee za\u010da\u0165 nudi\u0165. To sa v pr\u00edpade tejto sn\u00edmky, samozrejme, nestalo. Jednotliv\u00e9 epiz\u00f3dy a fragmenty s\u00fa premyslen\u00e9 a raden\u00e9 tak, aby jednoducho t\u00fato mo\u017enos\u0165 div\u00e1kovi ned\u00e1vali. Za\u010d\u00ednaj\u00fa krat\u0161\u00edmi \u00fasekmi. Tie sa postupne predl\u017euj\u00fa a pribli\u017ene v druhej tretine filmu op\u00e4\u0165 skracuj\u00fa. Takto dramaturgovia zvy\u0161uj\u00fa dynamiku a rytmus deja. Jedin\u00e9 negat\u00edvum \u0164a\u017eej du\u0161e je jeho metr\u00e1\u017e. B\u00f4\u013ene kr\u00e1tka, preto\u017ee tento mimoriadne zauj\u00edmav\u00fd dokument by si zasl\u00fa\u017eil cyklus stredo alebo dlhometr\u00e1\u017enych filmov v telev\u00edzii alebo filmov\u00fa s\u00e9riu v kin\u00e1ch.<\/p>\n

\"Dusa10\u0164a\u017ek\u00e1 du\u0161a, Slovensk\u00e1 republika, 2017<\/strong>
\nD\u013a\u017eka: 71 min\u00fat<\/strong>
\nScen\u00e1r, r\u00e9\u017eia, kamera: Marek \u0160ul\u00edk<\/strong>
\nStrih: Peter Kotrha, Marek \u0160ul\u00edk<\/strong>
\nHraj\u00fa: Gizela \u010conkov\u00e1, Ter\u00e9zia Polho\u0161ov\u00e1, Viera Mi\u017eigarov\u00e1, Tom\u00e1\u0161 Mi\u017eigar, Adri\u00e1n Mi\u017eigar Peter Mi\u017eigar, Marko Mi\u017eigar, Tom\u00e1\u0161 Durk\u00e1\u010d, Val\u00e9ria Mi\u0161alkov\u00e1, Anna Mi\u017eigarov\u00e1, Artur Mi\u0161alko, Gust\u00e1v Dunka, Erik Dunka, Svetlana Bandiov\u00e1, Al\u017ebeta \u017digov\u00e1, Anna Michal\u00edkov\u00e1, Jozef Dreve\u0148\u00e1k ml., Jozef Dreve\u0148\u00e1k st., Blanka Balogov\u00e1, Katka Bystr\u00e1, Irena Pokutov\u00e1, Emil Pokuta, B\u00e9la Pokuta a \u010fal\u0161\u00ed<\/strong>
\nDistrib\u00facia: Filmtopia<\/strong>
\nPremi\u00e9ra v SR: 5. okt\u00f3bra 2017<\/strong>
\nFoto: Filmtopia<\/strong><\/p>\n

 <\/p>\n

M\u00e1ria Deme\u010dkov\u00e1, Filmpress, 6. 10. 2017<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Prizn\u00e1m sa, \u017ee filmy Mareka \u0160ul\u00edka, kde pracoval ako re\u017eis\u00e9r nepozn\u00e1m a nem\u00e1m ich napozeran\u00e9. Ale ak s\u00fa aspo\u0148 spolovice tak\u00e9, ak\u00e1 je jeho najnov\u0161ia sn\u00edmka \u0164a\u017ek\u00e1 du\u0161a, ur\u010dite svoju nevedomos\u0165 v najbli\u017e\u0161ej dobe naprav\u00edm. Poeticky kr\u00e1sna, emocion\u00e1lne naliehav\u00e1, trpko radostn\u00e1 \u0164a\u017ek\u00e1 du\u0161a reflektuje r\u00f3mske etnikum \u00faplne inak, ne\u017e doposia\u013e. V dokument\u00e1rnych filmoch zameran\u00fdch na […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[62,10,83],"tags":[],"_links":{"self":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts\/1304"}],"collection":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1304"}],"version-history":[{"count":1,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts\/1304\/revisions"}],"predecessor-version":[{"id":1305,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts\/1304\/revisions\/1305"}],"wp:attachment":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1304"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}