{"id":974,"date":"2012-08-17T23:42:53","date_gmt":"2012-08-17T21:42:53","guid":{"rendered":"http:\/\/www.zudro.sk\/?p=974"},"modified":"2012-08-20T23:45:12","modified_gmt":"2012-08-20T21:45:12","slug":"styri-zivly-na-hranici","status":"publish","type":"post","link":"http:\/\/stare.zudro.sk\/?p=974","title":{"rendered":"\u0160tyri \u017eivly na hranici"},"content":{"rendered":"<p>Hranice s\u00fa pojmom, ktor\u00fd m\u00f4\u017ee by\u0165 interpretovan\u00fd mnoh\u00fdmi sp\u00f4sobmi, a hlavne \u2013 m\u00f4\u017ee oscilova\u0165 medzi \u00faplnou pr\u00e1zdnotou a nekone\u010dnou variabilitou v\u00fdznamov. Hranice nie s\u00fa vidite\u013en\u00e9, ich vymedzovanie prebieha v\u00e4\u010d\u0161inou na symbolickej \u00farovni a pr\u00e1ve neistota ich povahy \u2013 ot\u00e1zka, kde sa dan\u00e1 hranica nach\u00e1dza \u2013 je na nich tak\u00e1 fascinuj\u00faca.<!--more--><\/p>\n<div><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" style=\"margin-right: 10px;\" src=\"http:\/\/ipravda.sk\/res\/2012\/06\/18\/thumbs\/slovenska-sezona-zvonky-stastia-slovenska-sezona-uvedie-aj-dokument-zvonky-stastia-clanok.jpg\" alt=\"\" width=\"282\" height=\"211\" \/>Pojem hran\u00edc sa dostal aj do n\u00e1zvu 14.\u00a0ro\u010dn\u00edka\u00a0letn\u00e9ho\u00a0filmov\u00e9ho semin\u00e1ra 4\u00a0\u017eivly. Tento semin\u00e1r, ktor\u00fd pravidelne prebieha v\u00a0Banskej \u0160tiavnici, bol u\u017e od prv\u00fdch ro\u010dn\u00edkov koncipovan\u00fd ako ist\u00e1 alternat\u00edva vo\u010di obvykl\u00fdm filmov\u00fdm prehliadkam \u010di festivalom.<\/div>\n<p>Od za\u010diatku sa jeho organiz\u00e1tori pohybovali na hranici\u00a0\u2013 medzi vzdel\u00e1van\u00edm a vo\u013enou z\u00e1bavou, vysok\u00fdm umen\u00edm a ob\u010dasn\u00fdmi exkurziami do\u00a0sveta\u00a0menej elitn\u00fdch \u017e\u00e1nrov\u00fdch filmov. Medzi prezent\u00e1ciou slovensk\u00fdch tvorcov a svetov\u00fdch kinematografick\u00fdch trendov, medzi arch\u00edvnymi a najs\u00fa\u010dasnej\u0161\u00edmi dielami. A\u00a0predov\u0161etk\u00fdm, od za\u010diatku si vyberali t\u00e9my\u00a0\u2013 napr\u00edklad Noc, Revol\u00facie, Hra, \u0160tyri svety, \u0160tvrt\u00fd rozmer\u00a0\u2013 ktor\u00fdch mo\u017enosti interpret\u00e1cie s\u00fa tak\u00e9 \u0161irok\u00e9, \u017ee v\u00a0kone\u010dnom d\u00f4sledku tvorba prepojen\u00ed medzi jednotliv\u00fdmi vybran\u00fdmi filmami ost\u00e1va na ka\u017edom div\u00e1kovi zvl\u00e1\u0161\u0165.<\/p>\n<p><strong>Nov\u00e1 gener\u00e1cia kriticky mysliacich \u013eud\u00ed<\/strong><br \/>\nPojem hranice sa v\u00a0programe tohtoro\u010dn\u00fdch \u017divlov dost\u00e1val najm\u00e4 do kontextu geopolitiky. Prevl\u00e1dali filmy z\u00a0pohrani\u010dn\u00fdch oblast\u00ed Slovenska, \u010ceska \u010di Po\u013eska, v\u00a0ktor\u00fdch hrani\u010dn\u00e9 priechody tvoria d\u00f4le\u017eit\u00fd katalyz\u00e1tor deja aj metaforu existenci\u00e1lnej situ\u00e1cie hrdinov, ale tie\u017e politick\u00fa metaforu (ne)priestupnosti hran\u00edc medzi takzvan\u00fdmi V\u00fdchodom a Z\u00e1padom. Od neonoirovsk\u00e9ho animovan\u00e9ho filmu Alois Nebel, cez u\u017e pomaly kultov\u00fa sn\u00edmku Kr\u00e1l \u0160umavy a\u017e po predstavenie Nekone\u010dn\u00e9ho pr\u00edbehu o\u00a0hraniciach fant\u00e1zie sa hrani\u010dn\u00e9 p\u00e1sma objavovali v\u00a0r\u00f4znych s\u00favislostiach. Jedna z\u00a0najin\u0161pirat\u00edv\u00adnej\u0161\u00edch \u010dast\u00ed programu bola pritom venovan\u00e1 dokument\u00e1rnym filmom o\u00a0hraniciach, ktor\u00e9 sprev\u00e1dzali\u00a0v\u00fdborne\u00a0veden\u00e9 diskusie s\u00a0tvorcami.<\/p>\n<p>Ve\u013emi pr\u00edjemn\u00fdm prekvapen\u00edm bol pre m\u0148a z\u00e1ujem mlad\u00fdch div\u00e1kov aj ich schopnos\u0165 kl\u00e1s\u0165 ot\u00e1zky \u010di zav\u00e1dza\u0165 diskusiu v\u00a0kon\u0161trukt\u00edvnych smeroch. Pova\u017eujem to za ist\u00fa satisfakciu, d\u00f4kaz toho, \u017ee vzdel\u00e1vacia \u010das\u0165 amb\u00edci\u00ed organiz\u00e1torov 4\u00a0\u017eivlov po rokoch prin\u00e1\u0161a do \u0160tiavnice nov\u00e9 gener\u00e1cie kriticky mysliacich\u00a0\u013eud\u00ed.<\/p>\n<p>V\u00fdborn\u00e9\u00a0lektorsk\u00e9 \u00favody Martina Ka\u0148ucha a Martina Ciela pr\u00edstupnou, ale informa\u010dne nabitou formou kl\u00e1dli filmy do historick\u00fdch a my\u0161lienkov\u00fdch kontextov. Ve\u013emi in\u0161pirat\u00edvna debata tie\u017e vznikla po kolekt\u00edvnom diele Cez hranice s\u00a0Petrom Kerekesom a Janom Gogolom\u00a0ml.<\/p>\n<p><strong>Hranica medzi \u017eivotom a umen\u00edm<\/strong><br \/>\nBansk\u00e1 \u0160tiavnica sa tento rok stala aj miestom, na ktorom sa odohralo prv\u00e9 slovensk\u00e9 uvedenie filmu A\u017e do mesta A\u0161 Ivety Gr\u00f3fovej. Spolu s\u00a0filmom Mareka \u0160ul\u00edka a Jany Bu\u010dky Zvonky \u0161\u0165astia reprezentoval nielen \u010das\u0165 programu venovan\u00fa priamo hraniciam, ale najm\u00e4 najnov\u0161iu slovensk\u00fa produkciu, ktor\u00e1 na\u010falej a st\u00e1le nov\u00fdmi sp\u00f4sobmi prekra\u010duje hranice medzi dokument\u00e1rnym a hran\u00fdm, v\u00a0pr\u00edpade Gr\u00f3fovej filmu aj s\u00a0animovan\u00fdm filmom.<\/p>\n<p>D\u00f4le\u017eitou t\u00e9mou semin\u00e1ra sa stala tie\u017e hranica medzi \u017eivotom a umen\u00edm, medzi vn\u00fatrom a vonkaj\u0161kom, telom a jeho povrchov\u00fdmi prejavmi. Pote\u0161ilo pripomenutie Bielych dlan\u00ed ma\u010farsk\u00e9ho re\u017eis\u00e9ra Szabolcsa Hajdu, ktor\u00fd film o\u00a0\u0161porte posunul smerom k\u00a0\u00favahe o\u00a0zmysle prekra\u010dovania limitov \u013eudsk\u00e9ho tela, ale aj rozhrani\u010denia medzi V\u00fdchodom a Z\u00e1padom, \u0161portom a umen\u00edm. L\u00e1ska prekliata Johna Mayburyho a Herzogov Fitzcaraldo ako z\u00e1vere\u010dn\u00fd film prehliadky pripomenuli pojem hranice ako medze rozumom uchopite\u013en\u00e9ho sveta \u010di kon\u0161trukt\u00edvnu a de\u0161trukt\u00edvnu silu \u0161ialenstva.<\/p>\n<p>Prehliadku aj tentoraz doplnilo mno\u017estvo sprievodn\u00fdch podujat\u00ed a workshopov, pote\u0161il najm\u00e4 anima\u010dn\u00fd workshop 4\u00a0\u017eivly pre deti, ktor\u00fd nielen na chv\u00ed\u013eu zotrel bari\u00e9ry medzi svetom det\u00ed a dospel\u00fdch, ale najm\u00e4 rezultoval prekvapivo kvalitn\u00fdmi animovan\u00fdmi filmami detsk\u00fdch autorov.<\/p>\n<p><a href=\"http:\/\/kultura.pravda.sk\/film-a-televizia\/clanok\/64604-styri-zivly-na-hranici\/\"><strong>Jana Dudkov\u00e1, Pravda, 15. 8. 2012<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hranice s\u00fa pojmom, ktor\u00fd m\u00f4\u017ee by\u0165 interpretovan\u00fd mnoh\u00fdmi sp\u00f4sobmi, a hlavne \u2013 m\u00f4\u017ee oscilova\u0165 medzi \u00faplnou pr\u00e1zdnotou a nekone\u010dnou variabilitou v\u00fdznamov. Hranice nie s\u00fa vidite\u013en\u00e9, ich vymedzovanie prebieha v\u00e4\u010d\u0161inou na symbolickej \u00farovni a pr\u00e1ve neistota ich povahy \u2013 ot\u00e1zka, kde sa dan\u00e1 hranica nach\u00e1dza \u2013 je na nich tak\u00e1 fascinuj\u00faca.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[62,10,68],"tags":[],"_links":{"self":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts\/974"}],"collection":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=974"}],"version-history":[{"count":7,"href":"http:\/\/stare.zudro.sk\/index.php?rest_route=\/wp\/v2\/posts\/974\/revisions"}],"prede<!DOCTYPE HTML PUBLIC "-//IETF//DTD HTML 2.0//EN">
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